Keynotes
09:00~12:00
Performance Hall
|
Yu Feng | Chair |
|
Guo Yike | 《When Art Meets Artificial Intelligence》 |
|
Zhu Songchun | 《U-V Theory in Artificial Music Intelligence: Explicitly representing the structure (U) of music and its aesthetic value (V)》 |
|
Wang Xiaoqin | 《Neural Mechanisms for Music Processing》 |
|
Shihab Shamma | 《Music in the Mirror of the Auditory Mind》 |
|
Sun Maosong | 《Research Progress in Music AI》 |
|
Li Jiang | 《Making AI a Musician's Assistant - Opportunities and Challenges》 |
Session 1: Music and Brain
13:00~16:00
Performance Hall
|
|
Wang Xiaoqin | Chair |
|
Israel Nelken | 《Exploring the neural infrastructure supporting music processing in the brain》 |
|
Yao Dezhong | 《Why do humans like music？》 |
|
Du Yi | 《Eyes Tap to Beats: Proactive Sensing in Music Listening》 |
|
Huang Juan | 《The mechanisms of music aesthetics - from unimodal processing to multisensory integration》 |
|
Nan Yun | 《Rhythm Processing and Brain Oscillations: A Developmental Perspective》 |
Session 2: The Power of Music: How Music Promotes Brain Cognition and Health
16:15~18:15
Performance Hall
|
Hu Bin | Chair |
|
|
Hu Bin | 《Medical Electronics and Mental Disorder Diagnosis and Treatment》 |
|
Bjoern W. Schuller | 《Artificial Music Intelligence: Are You Still Composing Yourself?》 |
|
Hu Bin | 《From Dopamine to AI Melody: Unravelling the Therapeutic Basis of Motor and Emotional Responses to Music in Parkinson's Disease》 |
|
Wei Jing | 《Brain Science-Based Personalized Music Therapy》 |
|
Qian Kun | 《Computer Audition Inspired Digital Health》 |
Electronic Music Composition Contest (Final)
14:00~17:00
Opera Theater
|
Qian Qi | Secretary-general |
Paper Presentation and Selection (I)
14:00~18:00
701
|
An Ping | Chair |
|
Huang Zongquan | Co-chair |
Session 3: Doctoral Forum on Music Artificial Intelligence
19:00~20:30
Performance Hall
|
Li Wei | Chair |
|
Zhou Haotian | 《Audio Mixing Inversion based on Embodied Self-Supervised Learning》 |
|
Zhang Yu | 《CCOM-HuQin: An Annotated Multimodal Chinese Fiddle Performance Dataset》 |
|
Wu Shangda | 《CLaMP: Contrastive Language-Music Pre-training for Cross-Modal Symbolic Music Information Retrieval》 |
|
Wang Yixin | 《Sound Quality Representation and AI-driven Recognition》 |
|
Xu Shenyang | 《Few-shot Musical Instrument Recognition with Percussive-aware Attention》 |
|
Qian Yikai | 《MusicAOG: an Energy-Based Model for Learning and Sampling a Hierarchical Representation of Symbolic Music》 |
|
Wang Tianle | 《The fundamental principles of fundamental music theory - a hierarchical computational aesthetic perspective on music comprehension》 |
